Simon Bertin looks at Mary Shelley’s 1818 edition of Frankenstein with Clare College fellow Patricia Fara and discovers a comparable creature that modern technology might realise in the form of AI; we drop in on Fen Ditton Gallery’s Hannah Munby and discover how you get a piece of art that’s really reflects you; hear about a play with a new take on Oppenheimer with Cambridge alumni playwright Katherine Moar; and we visit the artist of open studios meeting painter Denice Spalding, Potter Joy Voisey and Jewellery maker Jos Stelling.
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